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Some Changes at WhatPhotoGear.com - Coming Soon!

4 September, 2008 (03:08) | WhatPhotoGear

Stay tuned - there will be quite a few changes with WhatPhotoGear.com within the coming weeks and months!

We’re currently re-evaluating the direction that our humble blog has taken - and while we will still be bringing you updates on the latest and greatest products in the world of photography - we will also be working on more articles focusing on photography tips and techniques, and how you can best take advantage of all your gear!

Image Copyright - iMorpheus - Image used under a Creative Commons License

Image copyright - iMorpheus - Image used under a Creative Commons (Attribution 2.0 - Generic) License.

Image found on, and hosted by Flickr.

Tamron announces 10-24mm Ultra-Wide Lens

4 September, 2008 (01:44) | Lenses, Tamron

Aside from its 18-270mm VC Ultra-Zoom, Tamron has also announced a new 10-24mm Ultra-Wide lens for Nikon and Canon mounts.

Covering a 16-37mm zoom range (in 35mm terms) this f/3.5 - f/4.5 lens also features a minimum focus distance of about .24m though out its entire zoom range.

Tamron 10-24mm Ultra-Wide Zoom

Tamron is probably going to price this lens just above the excellent Sigma 10-20mm (currently at just over $500 at Amazon.com) but well below Canon’s 10-22mm f/3.5-4.5 and Nikon’s 12-24mm f/4.0. Or for those of you who might see a Nikon D700 or D3 or a Canon 6D (or any full-frame DSLR) in your future - you might also want to look into the Sigma 12-24mm f/4.5 - 5.6 which can cover the full 35mm frame, something which all the other previously mentioned ‘digital only’ ultra-wide lenses can’t!

The Tamron 10-24mm f/3.5 - 4.5 will be available in Japan in late September 2008, and should make its way to the rest of the world in time for Christmas. We will have sample images here on WhatPhotogear.com as soon as they become available. Stay tuned!

The Tamron 18-270mm Ultra-Zoom

4 September, 2008 (01:20) | Lenses, Tamron

Tamron has just announced a new ultra-zoom lens, initially available in Nikon and Canon mounts. The Tamron 18-270mm f/3.5-6.3 Di II VC LD Aspherical (IF) Macro covers a whopping 28-419mm zoom range (in 35mm terms) - that’s a 15x zoom!

Tamron 18-270 VC Ultra-Zoom Lens

The VC stands for Tamron’s Vibration Correction feature (similar to Canon’s Image Stabilization (IS) and Nikon’s Vibration Reduction (VR) ) - which should ideally give you a 2-3 stop advantage when hand-holding the lens.

Other features include a minimum-focusing distance of about .49m over the entire zoom range and a maximum magnification ration of about 1:35 at 270mm, on paper, this looks to be the ultimate ultra-zoom yet - the only significant potential downside so far is it being an f/6.3 towards the long-end of the zoom.

All-in-all, this looks to be quite an interesting lens for Tamron - a 15x zoom definitely has its upsides, especially if you don’t want to be carrying around too many lenses. But with Nikon’s 18-200 VR finally becoming widely available, and Canon having just announced its own 18-200 IS zoom lens, not too mention Sigma’s 18-200 OS lens - it’s getting pretty crowded in ultra-zoom territory.

This lens is scheduled for a Sept 20th release in Japan. We’ll get you sample images as soon as we can. Stay tuned.

Slow Down

16 April, 2008 (15:37) | Tips and Advice

I’ve always believed photography to be a leisurely hobby. Unless you’re a pro with a deadline, then you shouldn’t be rushing around clicking the shutter every time you see a scene you want to capture. I see a lot of people running around with their camera’s and just shooting frame after frame after frame without really thinking about their shots. Sometimes we get so caught up with getting the right exposure - we check our ISO, we check our depth of field, what aperture we’re shooting at etc.. - but sometimes we fail to really check just how we’re framing our shots.

Slow Down

Image © biscuitsmlp. Used under a Creative Commons Attribution License. 

Once you get on location, and you’ve set up your camera, why not just sit back and take in the scene for awhile? I’ve seen it happen a lot of times. I get on location, I set up my camera and then someone comes along, they set-up, fire a few frames, then they’re done. And I haven’t even fired a single frame yet.

Why not try this, when you get on location, or see a scene you want to shoot, don’t bring your camera up to your eye just yet. Just sit back, and enjoy the scene. Take everything in. Ask yourself what kind of shot you really want. Do you think it’ll benefit by shooting lower? Maybe moving back a bit more to add some foreground would work better? What about using a different lens? Horizontal or Vertical?

Once you have a better idea of how you want to capture the scene, then its time to bring your viewfinder up to eye-level and start framing. Try a few different looks. Move back, zoom-in, see what works for you. And before you hit that shutter, check the edges of your frame. You sure there isn’t a tree branch just creeping at the top right there? Maybe you should move to the right or left just a bit more?

Now, this might sound like a lot of work, but it isn’t really. Once you’ve learned to do it with almost every shot, it will only take a minute or two. Now, why not just keep firing like you always do, afterall, with digital you aren’t wasting any film? Well, personally I’d rather get home with fewer shots on my memory card knowing that I’ve worked to make sure I had everything right, rather than having thousands of images and hoping one of them works.

We’ve all done it, we get home, upload our images to our computer only to end up disappointed. Somehow, it just wasn’t how we expected them to turn out. Maybe there are one or two keepers, maybe a dozen or so. But most of them will head straight to the Recycle Bin. But by slowing down, I guarantee you, you’ll not only spend less time slogging through images after you’ve uploaded them to your PC, but you’ll increase your quality shots (keepers) to number of shots taken ratio.

So why not try it? Slow down, and don’t be too trigger happy.

Image © biscuitsmlp. Image used under a Creative Commons Attribution-Share Alike License.

The Panasonic TZ50 Ultrazoom with Wi-Fi

16 April, 2008 (14:00) | Digital Cameras, Panasonic, Ultra-Zoom Camera's

Panasonic today announced a new ultra-zoom camera - the Panasonic Lumix DMC-TZ50. Specs wise, it boasts of a 10x moderate wide angle lens (28-280mm in 35mm terms) with Panasonic’s OIS (Optical Image Stabilization) system and the big news is of course its Wi-Fi capabilities. (You even get the word “Wireless” emblazoned on the camera’s grip) :p

With the TZ 50 you are able to wirelessly upload your photo’s to Google’s Picasa Web Albums straight from the camera. You also get 12 months worth of free access to T-Mobile’s Hotspot services (T-Mobile US Only)

Pretty useful I’d say, though I almost always run my photographs through a bit of post-processing in Photoshop or Lightroom before publishing them, there are times when I’d definitely want the ability to just wirelessly upload them straight from the camera.

Panasonic Lumix DMC-TZ50

The Panasonic Lumix DMC-TZ50:

  • 9.1 Megapixels
  • 10x optical zoom with image stabilization (28-280mm equivalence)
  • 3 inch LCD
  • 720p HD Video Capture
  • SD and SDHC support
  • Allow automatic uploading of images to Google’s Picasa Web Service via 802.11 b/g Wireless

I’m still not clear on this - but from what I understand the wireless uploading option is limited only to Google’s Picasa Web Albums, so no direct wireless uploading to any other services such as Flickr. The Panasonic TZ-50 will be available in May with an MSRP of $ 449.

Full Panasonic Press Release after the jump!

Read more »

David Pogue reviews the Casio EX-F1

10 April, 2008 (12:16) | Casio, Reviews, Ultra-Zoom Camera's

New York Times resident tech guru David Pogue has published his hands-on with Casio’s very very interesting shooter - the Casio Exilim EX-F1.

The more I read about this camera, the more interesting it gets. Now if I could somehow cough up that $999 street price, I would definitely be in line for one. The high-speed 60 frame-per-second shooting can definitely open up a lot of opportunities that I would’ve otherwise missed with a regular superzoom.

But unfortunately it’s not all good news though, despite the fast shooting speed, the camera seems to be saddled with slow start-up times, and if the EVF is anything like most superzooms, then it can get pretty laggy at times. And David complains about the sluggish lens as well.

The 12X zoom is nice to have, but it’s slow to react. And during video capture, when you turn the lens ring to zoom, it jerks spastically through the zoom range, effectively ruining your shot. The camera has great difficulty changing focus during filming, too.

All in all, this looks to be a step in the right direction for Casio, the price might put off quite a few people, especially since image quality isn’t really anything special, but comparable to other super-zooms - but for those of us who can find value in its shooting speed, it could be worth the pretty hefty investment.

Now if Casio can drop a larger sensor on the EX-F2 with a lens worthy of the shooting speed, without upping the price.. that could be quite something.

From: The New York Times via What Photo Gear

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